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If anything, she’s found a way to continue growing as an artist and we're here for her spreading her creative wings.
It opens with the dark and sexy “, .” Salacious lyrics mix with a slow and addictive bass line and invites you into a world where you want to know the secrets of toxic relationships. The song is nominally a breakup ballad, but tucked between the kiss-offs and spilled tea is a quiet grace. I love her vocals and the lyrics she writes are real, you know she's speaking from what she's felt, or seen. We’re on her time now. At almost five minutes, it’s the longest song on the album and is far too slow and repetitive for that amount of time.
The album feels like a subtle rejoinder to the aughts obsession with phones and miscommunications, mining all the other forces that make and break romance. The third track, “ Bad News,” similarly explores commitment issues with lyrics that Kehlani intones like a lullaby. “It Was Good Until It Wasn’t” takes you through the highs and lows of a life filled with love, sex and mistakes.
These are love songs about all the forces that make and break romance.
Kehlani is originally from Oakland, California where she achieved initial fame as a member of the teen pop group, Poplyfe, which was a finalist on America's Got Talent. “Bad News” opens with hair-raising choir-esque vocals, before a thumping bassline slows it down to Kehlani tempo. Singer James Blake lends his vocals and starts a conversation that enhances the hazy and illusory atmosphere of the song. This duality highlights Kehlani’s fluid understanding of sexuality and celebrates distinct qualities in relationships. That sense of love as risk is a feature of Kehlani’s music, but It Was Good Until It Wasn’t has a sharper sense of the specific stakes of taking the plunge. While a portion of the album delivers enjoyable production and great vocal performances, the rest is plagued by generic instrumentation and half-hearted songwriting that fails to grasp the listener’s interest. One of the best tracks on the project is "Bad News" which sees Kehlani singing about a man who is far away and doesn't seem to want to commit.
Kehlani. Over the past few months, she's shown that the pandemic hasn’t inhibited her creative freedom. It Was Good Until It Wasn’t.
This data comes from Spotify.
On “Can You Blame Me,” that intense craving for affection produces one of the strongest couplets Kehlani’s ever written: “I would rather argue than me sleep alone/Rather call you out than no one call my phone.” The line conveys the underlying cravenness of affection, its ability to melt away reason and indulge the lonely human within. This results in love songs that are more about the mechanics of relationships, how and why they work (or don’t), rather than their discrete participants.
She addresses the overwhelming pressure of hearing rumors about herself on “Everybody Business”, and later mulls over her past romantic decisions on “Serial Lover” by reminding the listener, “Lord knows, my intentions are pure but my habits are cold”. Kehlani.lnk.to/IWGUIWSO, take your time away from the bullshit just be on some cool shit w me baabeð, damn it gets into feelingsðð¥µð¥µð¤ðððâ¤ï¸â¤ï¸â¤ï¸, I love her vocals and the lyrics she writes are real, you know she's speaking from what she's felt, or seen, This song really hits at my heart right now...damn, You can count the ways that i stayed down ð£ð£ð£â¼ï¸. An outro from Minnesota rapper Lexii Alijai – who was a close collaborator of Kehlani and who died of an overdose early this year – plays the record out, and it’s evocative of the searing mood: “can’t nobody hold me back no more / I been on the right track so far.”. And Jhené Aiko glitters in blissful R&B listener “Change Your Life” – an angelic union of undulating vocals.
The song finishes with an elegant piano outro. Although the lack of clarity and intriguing beats in the songs sometimes show that the 25-year-old is still relatively new to the industry, there’s no doubt Kehlani is quickly becoming an empowering voice in reimagining the R&B genre.
Of what the Grammy Award-nominated singer has been through, of her own strength, motherhood, and the people and experiences that have ultimately enriched her life.
By now, the album has lost the oomph that was promised with “Toxic,” as if Kehlani was winding down from the initial energy. In 2011, Kehlani Parrish and her band, Poplyfe, performed a handful of Queen tracks for the season six finale of America’s Got Talent. ( Log Out / Through her lyrics and clever production, Kehlani demonstrates emotional intelligence and intricate experimentation. But she’s becoming an increasingly agile performer, rapping, singing, and everything in between. Damaging situations and sly behaviour she used to turn a blind eye, or her back to.
The third track, “. We hear a gun cock and she softly laments “don’t wanna get no call with no bad news.”. New Kehlani album “It Was Good Until It Wasn’t” takes us down a dark and alluring road, .” It is her first full-length record since her 2017 debut “. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. At almost five minutes, it’s the longest song on the album and is far too slow and repetitive for that amount of time. “Bad News” distills the thug-love trope to its anxious essence: “Don’t wanna get no call with no bad news,” Kehlani sings frankly. She's implores him to turn his back on street life and hang out with her. Key (?)
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