For all the praise that could be heaped on the bulk of SOPHIE's output, the best that comes to mind is that it sounds like no one else could have made Oil of Every Pearl's Un-Insides. Terms of service This is the kind of music that, in 20 years, we may look back on as a pivotal point in changing the trajectory of the pop music sound. Find out who's joining this year's hosts—Jeff Mills, DJ Harvey, Helena Hauff, Honey Dijon—in May. Review: Sophie’s ‘Oil of Every Pearl’s Un-Insides’ Is An Avant-Pop Gem The UK producer’s debut album hurls the listener through an uncanny valley of sonic possibilities With another question, it answers Oil of Every Pearl’s question of who decides the difference between authentic and fake: What difference? So, why not begin with the titular words themselves? It begins at the album title: "oil of every pearl's un-insides". Crack Hops Still, I find myself awestruck by how much the album just radiates transness. Transgressive. SOPHIE doesn’t just critique paradigmatic realness, she sidesteps it altogether. effervescent, hyper-glossy music that both parodied and embraced the diamante-studded musical mayhem of noughties pop. SOPHIE, an artist elusive enough to use a decoy during live performances, was suddenly front and centre with an achingly tender synth-pop ballad featuring, for the first time, her voice. Ever a purveyor of the unexpected, SOPHIE manages to confound as many expectations as she meets. ( Log Out / the biggest curveball of all. After pretending to hype up a commercial drink with ". It'll be followed by a remix edition featuring the likes of SOPHIE, Rosa Pistola and Gabber Eleganza. London-based record label. The syllable-swapping ‘Faceshopping’ – a playful, hard-hitting adventure – also finds new depths as it dissects artificiality and authenticity in a single breath. SOPHIE brings this vital notion into being on closer “Whole New World / Pretend World.” On the song’s second part, its pummeling synth leads collapse into a mass of cherubic voices, swarmed with monolithic textures melting and coalescing into one another, a direct evocation of heavenly transcendence. SOPHIE's debut album OIL OF EVERY PEARL's UN-INSIDES plays with pop motifs, not as parody, but to create the catchiest form of self expression. SOPHIE has done a lot of great things already and she’s going to go on to do more, I know it, but sadly this one feels like a bit of a letdown. Read it again. In her solo productions, she is a daring and innovative artist who calls Autechre her heroes—a claim easily backed up by her avant-garde style of composition and sound design. An album that combines pop music and cutting-edge sound design like no-one else. ‘Oil of Every Pearl’s Un-Insides’ retains the innate oddness that sits at the centre of SOPHIE’s work and, as such, is an album that interrogates the nature of pop music as much as it embodies it. OIL OF EVERY PEARL’S UN-INSIDES is every bit the full-length statement of purpose SOPHIE’s fans have waited years for; a maturation and refinement of her brand of meta plasticine electro that reflects the sharpened sense of focus that accompanies its creator strutting purposefully into the spotlight.
As legions of lesser imitators chased the same sound, and collaboration offers flooded in from Charli XCX, Madonna, and Vince Staples, one thing gradually became clear: whoever the faceless and anonymous SOPHIE really was, they were a creative force pushing the boundaries of electronic music. Oil of Every Pearl seizes this stature to present a defiant, necessary joyfulness. After many consecutive listens, I still find myself struggling to put SOPHIE’s debut full-length into words. Oil of Every Pearl’s Un-Insides. “I could be anything I want/ Immaterial boys, immaterial girls”.
General Enquiries: crack@crackmagazine.net Crossing boundaries of pop music and. The sudden arrival of It’s Okay to Cry in the last few months of 2017 was a revelation. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account.
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